racebending:

“Save the Pearls” is a vanity published YA novel trying to bill itself as the next “The Hunger Games.”  The publisher says that “‘Save the Pearls turns the tables on racism.’”

It uses blackface as a plot device.

In author Victoria Foyt’s futuristic world, no one wants to mate with white people—or “pearls”—considered to be the ugliest humans oppressed by people of color.  In order to survive, they must put on blackface make up to be attractive to the ruling class of “coals.”  Hoyt explains: “their stunningly dark skin that carries the greatest amount of melanin…makes them the strongest, most powerful race alive.”  The protagonist is a white girl who must smear her face with “midnight luster” make up in order to protect herself from radiation and in order to look beautiful to the oppressive “coals” in hopes that they will mate with her.

The rule in Eden’s post-apocalyptic world is: the darker the skin, the higher the mate-rate. Other factors calculated into one’s mate-rate include wealth or employment status. For example, Ronson Bramford, a handsome Coal titan of industry, is at the top of the heap with a mate rate of 98%. At age twenty-two, he only has two years left in which to mate—or else he’d probably have a 100% mate-rate. Tiger’s-Eyes, or Latinos, usually rate above Ambers, or Asians, in the future race wars. White-skinned Pearls offer little resistance to The Heat, and therefore, are at the bottom. Only a Cotton, or Albino, would be lower.”

THE MIND IT BOGGLES.

racebending:

“Save the Pearls” is a vanity published YA novel trying to bill itself as the next “The Hunger Games.” The publisher says that “‘Save the Pearls turns the tables on racism.’”

It uses blackface as a plot device.

In author Victoria Foyt’s futuristic world, no one wants to mate with white people—or “pearls”—considered to be the ugliest humans oppressed by people of color. In order to survive, they must put on blackface make up to be attractive to the ruling class of “coals.” Hoyt explains: “their stunningly dark skin that carries the greatest amount of melanin…makes them the strongest, most powerful race alive.” The protagonist is a white girl who must smear her face with “midnight luster” make up in order to protect herself from radiation and in order to look beautiful to the oppressive “coals” in hopes that they will mate with her.

The rule in Eden’s post-apocalyptic world is: the darker the skin, the higher the mate-rate. Other factors calculated into one’s mate-rate include wealth or employment status. For example, Ronson Bramford, a handsome Coal titan of industry, is at the top of the heap with a mate rate of 98%. At age twenty-two, he only has two years left in which to mate—or else he’d probably have a 100% mate-rate. Tiger’s-Eyes, or Latinos, usually rate above Ambers, or Asians, in the future race wars. White-skinned Pearls offer little resistance to The Heat, and therefore, are at the bottom. Only a Cotton, or Albino, would be lower.”

THE MIND IT BOGGLES.

racebending:

Deadline.com reports that the studio and producers behind The Last Airbender (2010) have acquired the rights to Neal Stephenson’s cyberpunk novel, Snow Crash.

The Kennedy/Marshall Company will produce. The Kennedy/Marshall company is the production company headed by Kathleen Kennedy and Frank Marshall, two of the producers of The Last Airbender (2010).

In 2008, fans of Avatar: The Last Airbender wrote hundreds of letters to Kennedy and Marshall asking them not to cast white actors to play characters of color in their adaptation of The Last Airbender. These letters were returned to sender or otherwise ignored. Even after Asian American advocacy organizations stepped in, producer Frank Marshall did not acknowledge that the casting of The Last Airbender had a discriminatory impact on actors of color.

Marshall did, however, acknkowledge that casting breakdowns asking for “Caucasian or any other ethnicity” to play the characters of Airbender were “poorly worded and offensive.” He told UGO.com that:

“Ultimately, we all take responsibility for not doing a more thorough job monitoring these frequently used third-party [casting] agents and Paramount has since been in regular dialogue with Asian American advocacy groups including the Japanese American Citizens League and the Media Action Network for Asian Americans to ensure that such a mistake does not happen in the future.” – Frank Marshall, 2010

How will this all play out in the adaptation of Snow Crash, a 1992 novel about a futuristic Los Angeles featuring several characters of color? The main character is hacker and pizza delivery guy Hiro Protagonist, who is of mixed Asian and African American descent. Other characters include a street smart skateboarder named Yours Truly (Y.T.), Hiro’s ex-girlfriend Juanita Marquez, and the antagonist Raven, who is of Aleut descent. Themes of racism and sexism intersect the text and the characters’ experiences.

Read the full article at Racebending.com

The idea of this intrigues, but I’m not holding out a whole lot of hope for the casting process…